
If you didn’t make it last year, don’t miss out again. I have no idea whether this show will sell out, but I’d recommend buying tickets in advance. They’re cheaper online, and you’ll be guaranteed a spot.
Trina Hamlin
The first time I saw Trina Hamlin, I knew nothing of her, save that she’d played (in the backs of trucks and such) with Susan Werner. I was optimistic to find some new music in my favorite vein. I expected girly pop/folk — maybe a single-album singer-songwriter best applied as a Saturday-afternoon-cleaning soundtrack.
What I discovered was the most shocking under-the-radar phenom of a stand-alone talent I’ve ever seen. Trina’s mastery of harmonica is breathtaking, and she’s got a bold, sexy voice with stage presence to match.
Trina Hamlin’s songs sneak up on you. Low-key strumming intros lull you into thinking, “This song might be *nice.* Reminds me of my ex-girlfriend. This might be a good time to beat the rush to the restroom.” But before that thought is complete, your attention is snagged. The voice gets edgy. Then it bursts through with consuming intensity that compels you helplessly to laugh, cry, or dance.
The incredible thing about a Trina Hamlin show is how entertaining it is. She doesn’t jolt you by force out of that zone of new-artist neutrality. She tricks you out of it, starting slow. A track that makes you think, “Oh, I can dig her voice,” followed by, “Hmm. She’s not just average on the guitar.” She gets her hooks in, playing the harmonica in a way that makes you want to see what else she can do. Then the acrobatics begin.
When she’s on guitar, she rocks. When she’s on the harp, she rocks. It’s when she’s a singing, dancing, songwriting one-Minnesotan band that she’ll have you giving her top spot on your iTunes most-played and highest priority on your year-round concert-going schedule.
Natalia Zukerman
Nothing compares to masterful application of voice as instrument. Vocally, Natalia Zukerman alternates twang, sweetness, and vibrato to deliver a captivating performance.
Natalia can make the guitar do things that guitars weren’t born for. She spans genres, creating undeniably folk moments of wringing sensitivity and hinting at banjo-battle-worthy bluegrass. She manages to keep it all fun and engaging, far from the realm of weirdness that confines creative contemporaries to tiny niches.
She’s been compared to Jenny Lewis, but the likeness is only clear to me in the sense that they’re both absolutely solid performers, and kind of genius. Zukerman’s songwriting is more clever, reminiscent of Jill Sobule – just as intimate but less silly.
Natalia Zukerman with Trina Hamlin and Alicia Romano
When: Wednesday, April 22nd – Doors at 6/Show at 7
Where: Club Cafe – 56 South 12th St. – South Side
How Much: $10/$8 Online in Advance
Who: 21+
The Videos
If that’s not enough to convince you this show is worth $10, going out on a Wednesday, and parking in South Side, check out these videos.
Loved Like That
This is the show that’s coming to Pittsburgh. Natalia Zukerman and Trina Hamlin each steal a show on their own. But together they create an atmosphere of unparalleled fun, friendliness, and interactivity. It’s showcased in this video. If you’re in a hurry, just zip to the 2 minute mark to see what I’m talking about. This Wednesday’s show is sure to a bubble of captivating entertainment in which you savor the moments and lament the ending.
Down to the Hollow
Down to the Hollow is the only song that’s ever compelled me to make a comparison to Melissa Ferrick’s Drive. And this isn’t even a song about gettin’ down. Where Ferrick is overtly sexual and raunchy, Hamlin is understated and natural. This is a track that drips sensuality without trying. The driving tempo and smoky vocals convey reigned-in intensity that escapes at all the right points. And the harmonica’s hints of gasping have an emotional impact reminiscent of piano-pedal accents in the negative space of a Tori Amos song.
